From the discovery of taking photographs of fireworks and how the colours trust into the sky i wanted to experiment with different ways of showing what i seen first hand because the colours were truly mesmerising, for this experiment i have used white cartridge paper and
then quickly made marks using charcoal to relate to the black sky that is in the image that i have taken, I did not completely cover the paper as i wanted to show a breakage between one tonal colour. I then mixed PVA with blue ink and red ink to create small sparks flashing into the sky as if the fireworks were exploding into the air, Overall i like this image because the only small parts of texture come from the PVA and it makes the viewer focus on it more solely. To improve this composition i would add another layer of the colour with PVA.
I have used PVA and watercolour to quickly mark the process of a closeup firework before it sparks into the sky and by doing this, i was in hope of building the texture but i liked how it was when doing the first layer. To improve i would use a darker colour from the watercolour palette to entice the tones of how thick the PVA really is.
I have used PVA mixed with yellow watercolour as i wanted to see how the yellow colour would react with mixed with such a thick paste, I thought that when adding this colour the yellow would fade from its pigmentation but it actually turned out better than expected. I used my brush to flick the glue onto the page as a response to the after explosion of the fireworks exploding into the sky, almost when then fireworks are evaporating into the air.
I have done the same technique as above but have decided to use a red watercolour as I wanted to see the difference of using a different colour on the warmth colour scale, Overall I like how I have really gone into detail with the colour on even the smallest of splatters on the page. To improve, i recon that should do this technwiue on acetate to see if it changes the effect when not being on black cartridge paper.
I have explored with PVA and how to apply it differently instead of just using a paintbrush and so i have used PVA with a lightly coloured pink watercolour to abstractly make marks relating to a closeup of what i seen when the fireworks exploded, the colour is relatable to the image as they were very light, bright and eye definitive colours. By applying the mixture to black cartridge paper I have used a blunt end to a pencil to dip the pVA and then uncontrollably create layered, thin patterns onto the surface. I love how when the PVA is dried even on the thinner, delicate lines they pick up the texture.
For this experiment again i have use blue watercolour mixed with PVA to create this composition whilst repeating the same technique of applying it by using a medium sized brush, To add to this composition i would just add a few more layers of PVA so when it drys it is clear but adds to texture.
From the discovery of taking photographs of fireworks and how the colours trust into the sky i wanted to experiment with different ways of showing what i seen first hand because the colours were truly mesmerising, for this experiment i have used white cartridge paper and 
I have used PVA and watercolour to quickly mark the process of a closeup firework before it sparks into the sky and by doing this, i was in hope of building the texture but i liked how it was when doing the first layer. To improve i would use a darker colour from the watercolour palette to entice the tones of how thick the PVA really is.
I have used PVA mixed with yellow watercolour as i wanted to see how the yellow colour would react with mixed with such a thick paste, I thought that when adding this colour the yellow would fade from its pigmentation but it actually turned out better than expected. I used my brush to flick the glue onto the page as a response to the after explosion of the fireworks exploding into the sky, almost when then fireworks are evaporating into the air. 
I have done the same technique as above but have decided to use a red watercolour as I wanted to see the difference of using a different colour on the warmth colour scale, Overall I like how I have really gone into detail with the colour on even the smallest of splatters on the page. To improve, i recon that should do this technwiue on acetate to see if it changes the effect when not being on black cartridge paper.
I have explored with PVA and how to apply it differently instead of just using a paintbrush and so i have used PVA with a lightly coloured pink watercolour to abstractly make marks relating to a closeup of what i seen when the fireworks exploded, the colour is relatable to the image as they were very light, bright and eye definitive colours. By applying the mixture to black cartridge paper I have used a blunt end to a pencil to dip the pVA and then uncontrollably create layered, thin patterns onto the surface. I love how when the PVA is dried even on the thinner, delicate lines they pick up the texture. 
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